Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"
While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or at...
Egile nagusia: | David Temperley |
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Formatua: | Artikulua |
Hizkuntza: | English |
Argitaratua: |
The Ohio State University Libraries
2006-09-01
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Saila: | Empirical Musicology Review |
Gaiak: | |
Sarrera elektronikoa: | https://kb.osu.edu/dspace/handle/1811/24079 |
Antzeko izenburuak
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Pitch Frames as Melodic Archetypes
nork: William Thomson
Argitaratua: (2006-09-01) -
Familiar Tonal Context Improves Accuracy of Pitch Interval Perception
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Argitaratua: (2017-10-01) -
Response to David Temperley's Commentary
nork: William Thomson
Argitaratua: (2006-09-01) -
A Dynamical Model of Pitch Memory Provides an Improved Basis for Implied Harmony Estimation
nork: Ji Chul Kim, et al.
Argitaratua: (2017-05-01) -
Piano in the intonation process of tonally unstable and non-tonal melodies in teaching Solfège
nork: Vidicki Elizabeta
Argitaratua: (2015-01-01)