Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"
While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or at...
Príomhchruthaitheoir: | David Temperley |
---|---|
Formáid: | Alt |
Teanga: | English |
Foilsithe / Cruthaithe: |
The Ohio State University Libraries
2006-09-01
|
Sraith: | Empirical Musicology Review |
Ábhair: | |
Rochtain ar líne: | https://kb.osu.edu/dspace/handle/1811/24079 |
Míreanna comhchosúla
Míreanna comhchosúla
-
Pitch Frames as Melodic Archetypes
de réir: William Thomson
Foilsithe / Cruthaithe: (2006-09-01) -
Familiar Tonal Context Improves Accuracy of Pitch Interval Perception
de réir: Jackson E. Graves, et al.
Foilsithe / Cruthaithe: (2017-10-01) -
Response to David Temperley's Commentary
de réir: William Thomson
Foilsithe / Cruthaithe: (2006-09-01) -
A Dynamical Model of Pitch Memory Provides an Improved Basis for Implied Harmony Estimation
de réir: Ji Chul Kim, et al.
Foilsithe / Cruthaithe: (2017-05-01) -
Piano in the intonation process of tonally unstable and non-tonal melodies in teaching Solfège
de réir: Vidicki Elizabeta
Foilsithe / Cruthaithe: (2015-01-01)