Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"
While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or at...
Главный автор: | David Temperley |
---|---|
Формат: | Статья |
Язык: | English |
Опубликовано: |
The Ohio State University Libraries
2006-09-01
|
Серии: | Empirical Musicology Review |
Предметы: | |
Online-ссылка: | https://kb.osu.edu/dspace/handle/1811/24079 |
Схожие документы
-
Pitch Frames as Melodic Archetypes
по: William Thomson
Опубликовано: (2006-09-01) -
Familiar Tonal Context Improves Accuracy of Pitch Interval Perception
по: Jackson E. Graves, и др.
Опубликовано: (2017-10-01) -
Response to David Temperley's Commentary
по: William Thomson
Опубликовано: (2006-09-01) -
A Dynamical Model of Pitch Memory Provides an Improved Basis for Implied Harmony Estimation
по: Ji Chul Kim, и др.
Опубликовано: (2017-05-01) -
Piano in the intonation process of tonally unstable and non-tonal melodies in teaching Solfège
по: Vidicki Elizabeta
Опубликовано: (2015-01-01)