Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"

While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or at...

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מידע ביבליוגרפי
מחבר ראשי: David Temperley
פורמט: Article
שפה:English
יצא לאור: The Ohio State University Libraries 2006-09-01
סדרה:Empirical Musicology Review
נושאים:
גישה מקוונת:https://kb.osu.edu/dspace/handle/1811/24079