Creative use of objects as signs in cinema: an analysis of Sergei Parajanov’s Hakob Hovnatanyan
The paper presents an analysis of Sergei Parajanov’s short film, Hakob Hovnatanyan (1967), and its significance as an example of poetic cinema within Soviet cinematography. Not only feature-length films of Parajanov, but also his short films hold an important place among his œuvre, as a multi-modal...
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| Format: | Article |
| Language: | English |
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Vilnius Gediminas Technical University
2024-10-01
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| Series: | Creativity Studies |
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| Online Access: | https://tede.vgtu.lt/index.php/CS/article/view/19192 |