In Hyppolite’s Traces: Haitian Folk Painting Between Religion and Art

This article, based on an ethnography with historical documents, seeks to reflect on the construction practices of the so-called “popular art” in Haiti in the mid-20th century. To this end, it follows the creation and the first years of operation of the Center d’Art, a center for the production and...

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Bibliographic Details
Main Author: Julia Vilaça Goyatá
Format: Article
Language:English
Published: Universidade Estadual de Londrina 2020-12-01
Series:Mediações: Revista de Ciências Sociais
Online Access:http://www.uel.br/revistas/uel/index.php/mediacoes/article/view/41199