Witnesses Inside/Outside the Stage: The Purpose Of Representing Violence In Edward Bond's Saved (1965) And Sarah Kane's Blasted (1995) Testigos Dentro/Fuera Del Escenario: El Objetivo De La Representación De La Violencia En Saved (1965) De Edward Bond Y Blasted (1995) De Sarah Kane
In spite of the thirty years span of time between the two productions, Edward Bond's Saved and Sarah Kane's Blasted provoked a similar outburst of reactions when they first opened at the Royal Court Theatre in 1965 and 1995, respectively. Depicting various types of violence onstage, the tw...
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| Format: | Article |
| Language: | English |
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Universidad Pedagógica Nacional
2009-06-01
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| Series: | Folios |
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| Online Access: | http://www.scielo.org.co/scielo.php?script=sci_arttext&pid=S0123-48702009000100009 |