Strahlende Geiselhaft. Jelineks Lärmblendung «Kein Licht»<br><i>[Splendid Captivity. Jelinek’s Noise Blinding «No Light»]</i>

In tracing the function of sound in Elfriede Jelinek’s multi-lingual «Kein Licht» (2011) the article argues that she uses the concept of entropy – the tendency of closed systems to move towards disorder – to depict critically the events of the Fukushima nuclear disaster. Within the realm of death by...

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Bibliographic Details
Main Author: Rebecca Schönsee
Format: Article
Language:deu
Published: Milano University Press 2018-05-01
Series:Studia austriaca
Online Access:https://riviste.unimi.it/index.php/StudiaAustriaca/article/view/10078