Sands of desire : the Creative Restlessness of Lee Miller’s Egyptian Period
“As a spectator, I wanted to explore photography not as a question (a theme) but as a wound,” Roland Barthes writes in Camera Lucida. Similarly, in the famous first lines of his surrealist book Nadja, André Breton concluded that the question he should ask himself should be “not who I am, but whom I...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2017-04-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/9855 |