Listening to Noise and Listening to Oneself: An Analysis of Peter Ablinger’s Orgel und Rauschen
Peter Ablinger’s innovative use of noise has provided a unique contribution to new music. In his composition, static noise (Rauschen) is not explored for the sake of expanding the sound palette but for its provocative potential as a “screen” onto which listeners project their imaginations. In order...
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| Format: | Article |
| Language: | English |
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Österreichische Gesellschaft für Musikwissenschaft
2020-12-01
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| Series: | Musicologica Austriaca |
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| Online Access: | http://musau.org/parts/neue-article-page/view/95 |