The Affect of Images: Signorelli, Morto da Feltre, and Moving Creativity in the Art of Grotesques c. 1500
Abstract This paper discusses the affect of images, focusing on the notion in the art and theory of the fifteenth and sixteenth centuries that movement in painting corresponds with (emotional) movement in the spectator and with the imagination or creativity of the artist. It addresses the work of Si...
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| Format: | Article |
| Language: | English |
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Intellect
2017-03-01
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| Series: | Artifact |
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| Online Access: | https://intellectdiscover.com/content/journals/10.14434/artifact.v4i1.13122/art.4.1.4.1_1 |