Collagierte Realitätssplitter
Karl Henckells Berliner Abendbild and Arno Holz’ Nicht „antiker Form sich nähernd“ belong to those poems of Naturalism which can claim a permanent place in the changing history of poetry. Berliner Abendbild exemplarily proves the discovery of the city as a literary topic but also as a new space of e...
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| Format: | Article |
| Language: | deu |
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Presses universitaires de Strasbourg
2019-07-01
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| Series: | Recherches Germaniques |
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| Online Access: | http://journals.openedition.org/rg/1260 |