Collagierte Realitätssplitter

Karl Henckells Berliner Abendbild and Arno Holz’ Nicht „antiker Form sich nähernd“ belong to those poems of Naturalism which can claim a permanent place in the changing history of poetry. Berliner Abendbild exemplarily proves the discovery of the city as a literary topic but also as a new space of e...

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Main Author: Wolfgang Bunzel
Format: Article
Language:deu
Published: Presses universitaires de Strasbourg 2019-07-01
Series:Recherches Germaniques
Subjects:
Online Access:http://journals.openedition.org/rg/1260
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author Wolfgang Bunzel
author_facet Wolfgang Bunzel
author_sort Wolfgang Bunzel
collection DOAJ
description Karl Henckells Berliner Abendbild and Arno Holz’ Nicht „antiker Form sich nähernd“ belong to those poems of Naturalism which can claim a permanent place in the changing history of poetry. Berliner Abendbild exemplarily proves the discovery of the city as a literary topic but also as a new space of experience in German Naturalism. But what is innovative in this text is especially the way in which Henckell collages scraps of conversation and thereby delivers something like a micro-sonogram of the city. On the other hand Holz transposes in Nicht “antiker Form sich nähernd” the coexistence of heterogeneous statements, corresponding to the journalistic mode of presentation, to poetry and thereby finds not only a form to express the contradictions of the modern world but also proves a montage-like technique of representation which anticipates the future of literature. urban poetry, critique of ideology, poetic collage, naturalism, reflection on language
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spelling doaj.art-fd6f0bd25409424d9bfc48d7037490d32022-12-21T20:19:12ZdeuPresses universitaires de StrasbourgRecherches Germaniques0399-19892649-860X2019-07-01148110310.4000/rg.1260Collagierte RealitätssplitterWolfgang BunzelKarl Henckells Berliner Abendbild and Arno Holz’ Nicht „antiker Form sich nähernd“ belong to those poems of Naturalism which can claim a permanent place in the changing history of poetry. Berliner Abendbild exemplarily proves the discovery of the city as a literary topic but also as a new space of experience in German Naturalism. But what is innovative in this text is especially the way in which Henckell collages scraps of conversation and thereby delivers something like a micro-sonogram of the city. On the other hand Holz transposes in Nicht “antiker Form sich nähernd” the coexistence of heterogeneous statements, corresponding to the journalistic mode of presentation, to poetry and thereby finds not only a form to express the contradictions of the modern world but also proves a montage-like technique of representation which anticipates the future of literature. urban poetry, critique of ideology, poetic collage, naturalism, reflection on languagehttp://journals.openedition.org/rg/1260lyrisme de la grande villecritique idéologiquetechnique du montagenaturalismeréflexion sur le langage
spellingShingle Wolfgang Bunzel
Collagierte Realitätssplitter
Recherches Germaniques
lyrisme de la grande ville
critique idéologique
technique du montage
naturalisme
réflexion sur le langage
title Collagierte Realitätssplitter
title_full Collagierte Realitätssplitter
title_fullStr Collagierte Realitätssplitter
title_full_unstemmed Collagierte Realitätssplitter
title_short Collagierte Realitätssplitter
title_sort collagierte realitatssplitter
topic lyrisme de la grande ville
critique idéologique
technique du montage
naturalisme
réflexion sur le langage
url http://journals.openedition.org/rg/1260
work_keys_str_mv AT wolfgangbunzel collagierterealitatssplitter