Referencias in/justas
We usually understand the discipline as a collection of previous examples that can be used and manipulated as references for the design process. However, have we ever asked ourselves to what extent are we contravening the copyrights owned by previous colleagues? Are we aware of these regulations? Th...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Article |
Language: | English |
Published: |
Pontificia Universidad Catolica de Chile
2019
|
Online Access: | https://hdl.handle.net/1721.1/122824 |
_version_ | 1826212451831513088 |
---|---|
author | Miljacki, Ana Gallanti, Fabrizio |
author2 | Massachusetts Institute of Technology. Department of Architecture |
author_facet | Massachusetts Institute of Technology. Department of Architecture Miljacki, Ana Gallanti, Fabrizio |
author_sort | Miljacki, Ana |
collection | MIT |
description | We usually understand the discipline as a collection of previous examples that can be used and manipulated as references for the design process. However, have we ever asked ourselves to what extent are we contravening the copyrights owned by previous colleagues? Are we aware of these regulations? This interview not only clarifies the history of copyright in architecture, but also seeks for the opportunities and possibilities underlying those legal concepts. Keywords: Copyrights; copies; originality; law; exhibition |
first_indexed | 2024-09-23T15:22:06Z |
format | Article |
id | mit-1721.1/122824 |
institution | Massachusetts Institute of Technology |
language | English |
last_indexed | 2024-09-23T15:22:06Z |
publishDate | 2019 |
publisher | Pontificia Universidad Catolica de Chile |
record_format | dspace |
spelling | mit-1721.1/1228242022-10-02T02:29:20Z Referencias in/justas Un/fair References Miljacki, Ana Gallanti, Fabrizio Massachusetts Institute of Technology. Department of Architecture We usually understand the discipline as a collection of previous examples that can be used and manipulated as references for the design process. However, have we ever asked ourselves to what extent are we contravening the copyrights owned by previous colleagues? Are we aware of these regulations? This interview not only clarifies the history of copyright in architecture, but also seeks for the opportunities and possibilities underlying those legal concepts. Keywords: Copyrights; copies; originality; law; exhibition 2019-11-11T22:01:56Z 2019-11-11T22:01:56Z 2017-04 2019-08-05T12:37:17Z Article http://purl.org/eprint/type/JournalArticle 0717-6996 https://hdl.handle.net/1721.1/122824 Miljacki, Ana, and Fabrizio Gallanti. "Un/fair References." ARQ (Santiago), 95, (April 2017): 17-29 © 2017 Pontificia Universidad Catolica de Chile en https://doi.org/10.4067/s0717-69962017000100017 ARQ (Santiago) Creative Commons Attribution NonCommercial License 4.0 https://creativecommons.org/licenses/by-nc/4.0/ application/pdf Pontificia Universidad Catolica de Chile Other repository |
spellingShingle | Miljacki, Ana Gallanti, Fabrizio Referencias in/justas |
title | Referencias in/justas |
title_full | Referencias in/justas |
title_fullStr | Referencias in/justas |
title_full_unstemmed | Referencias in/justas |
title_short | Referencias in/justas |
title_sort | referencias in justas |
url | https://hdl.handle.net/1721.1/122824 |
work_keys_str_mv | AT miljackiana referenciasinjustas AT gallantifabrizio referenciasinjustas AT miljackiana unfairreferences AT gallantifabrizio unfairreferences |