Review of Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956–1968, by Lisa Jakelski
It has become second nature for scholars of twentieth-century music to acknowledge that the "modern" of musical "modernism" was socially and culturally constructed, and that the meaning and valence of "new music" were contingent. Together with this insight has come the...
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| Format: | Article |
| Language: | English |
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University of California Press
2020
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| Online Access: | https://hdl.handle.net/1721.1/125894 |