"The Country of the Plague": Anticulture and Autoethnography in Dickens's 1850s
This short paper proposes to consider the transition from Bleak House (1852–53) to Little Dorrit (1856–57) as a phase of particular significance in Dickens's debate with himself over the claims, benefits, and pitfalls of national and wider forms of belonging. I elide Hard Times (1854) because i...
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| Format: | Article |
| Language: | en_US |
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Cambridge University Press
2012
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| Online Access: | http://hdl.handle.net/1721.1/69962 https://orcid.org/0000-0002-8220-4108 |