The contemporary turn in Hanoi, Vietnam, 1989-2002 : Vu Dan Tan, Nguyen Van Cuong, Salon Natasha, and doi moi-in-art
This dissertation argues that between 1989 and 2002, in the early years of doi moi economic renovation enacted in 1986 in Vietnam, the Hanoi art scene saw radical transformation as modern art became contemporary. Shift was spearheaded, it proposes, by an academically overlooked Hanoi vanguard, in pa...
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| Format: | Thesis-Doctor of Philosophy |
| Sprache: | English |
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Nanyang Technological University
2020
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| Online Zugang: | https://hdl.handle.net/10356/144954 |