The redirected gesture in Brian Friel’s Dancing at Lughnasa
The staging of remembrance in Brian Friel’s Dancing at Lughnasa invites us to see the stage as a space for evocation rather than representation. Building on the premise of the lieu de mémoire, as elucidated by historian Pierre Nora, this essay examines the ways in which Friel rewrites the theatrical...
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| Format: | Journal Article |
| Language: | English |
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2020
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| Online Access: | https://roundtable.ac.uk/articles/abstract/43/ https://hdl.handle.net/10356/145123 |