Attestation before attention: unclaiming queer from Trương Tân's art (1990s-2010s)
THROUGH the case study of Trương Tân – arguably one of the most misunderstood figures in Vietnamese contemporary art, this paper highlights the tendency to globalise and politicise queer artists from Southeast Asia via editorial and curatorial categorisation. By taking a contextualityoriented appr...
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| Format: | Thesis-Master by Coursework |
| Language: | English |
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Nanyang Technological University
2022
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| Online Access: | https://hdl.handle.net/10356/157125 |