Allegory, identity and the performative muse: Angelica Kauffman's London self-portraits, 1766–1781
As a woman, artist, painter and Academician, Angelica Kauffman’s (1741–1807) place in art history is assured. At the point of the eighteenth century, she was recognised as one of the leading artists of her age. Yet contemporary interpretations, as well as subsequent art histories written after her l...
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| フォーマット: | Thesis-Doctor of Philosophy |
| 言語: | English |
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Nanyang Technological University
2024
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| オンライン･アクセス: | https://hdl.handle.net/10356/178233 |