The embrace of nothing : shifting representations of the absurd from Samuel Beckett to Sofia Coppola.
The essay looks at the shifting presentation of the Absurd through the works of playwright Samuel Beckett and film director Sofia Coppola, specifically looking at Beckett’s Waiting For Godot, Endgame and Krapp’s Last Tape, and Coppola’s Marie Antoinette, Lost In Translation and Somewhere. Absurdist...
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| Materialtyp: | Final Year Project (FYP) |
| Språk: | Chinese |
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2013
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| Länkar: | http://hdl.handle.net/10356/52162 |