(Re)appropriating the oriental stereotype in Sopyonje and farewell my concubine
In this paper, I am concerned with the self-representation of the female body in the mould of the Oriental stereotype in the films: Sopyonje (Im Kwon-taek 1993) and Farewell My Concubine (Chen Kaige 1993). Widely recognized as quintessential productions of their respective national cinemas, ie., Sou...
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| Format: | Final Year Project (FYP) |
| Language: | English |
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2014
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| Online Access: | http://hdl.handle.net/10356/61623 |