(Re)appropriating the oriental stereotype in Sopyonje and farewell my concubine
In this paper, I am concerned with the self-representation of the female body in the mould of the Oriental stereotype in the films: Sopyonje (Im Kwon-taek 1993) and Farewell My Concubine (Chen Kaige 1993). Widely recognized as quintessential productions of their respective national cinemas, ie., Sou...
Main Author: | Han, Natalie Su-Yin |
---|---|
Other Authors: | School of Humanities and Social Sciences |
Format: | Final Year Project (FYP) |
Language: | English |
Published: |
2014
|
Subjects: | |
Online Access: | http://hdl.handle.net/10356/61623 |
Similar Items
-
The real devil in Chen Kaige’s farewell my concubine and Francois Girard the red violin
by: Sng, Min Yee
Published: (2016) -
Farewell my concubine : a novel /
by: 340099 Lee, Lilian, et al.
Published: (1993) -
李碧华小说《霸王别姬》的性别建构 : 同性恋、双性恋和异性恋 = The construction of gender in Li Bihua’s “farewell my concubine” : homosexuality, bisexuality and heterosexuality
by: 何欣恩 Ho, Sing Ern
Published: (2015) -
Empress and concubines
by: Zhao, Tianshu
Published: (2017) -
The Asian stereotype - do we buy it?
by: Chua, Xin Yi., et al.
Published: (2012)