The appropriation of madness in the literary liberation of women
This is a comparative essay of the representations of unconventional women portrayed in Charlotte Perkins Gilman’s The Yellow Wallpaper (1892), Susan Glaspell’s The Verge (1921) and Gillian Flynn’s Gone Girl (2012). The essay explores and investigates the ways these three female authors appropriate...
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| Format: | Final Year Project (FYP) |
| Language: | English |
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2015
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| Online Access: | http://hdl.handle.net/10356/62855 |