'Into the Blue Depths' — Glass Mysticism in Yvegeny Zamyatin's 'We'
Read for its conventional cognitive value as mise-en-scene, the glass city of OneState in Yevgeny Zamyatin’s ‘We’ (1924) reflects the novel’s totalitarian fantasy of social uniformity and dystopian total surveillance. However, the unfolding narrative reveals a more ambiguous lens, through which the...
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| Format: | Conference or Workshop Item |
| Language: | English English |
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2018
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| Online Access: | https://repository.londonmet.ac.uk/4569/2/zamyatin%20slides%20final.pdf https://repository.londonmet.ac.uk/4569/9/Jones%20zamyatin%20final%20text.pdf |