‘And I know damned-well what he wanted!’: deliberate alteration and interpretations of intent in several late sculptures by David Smith
Some years after the death of David Smith (1906–1965), Clement Greenberg, then executor of his estate, made a decision to have the white painted surface stripped from five sculptures and present them as authentic works by the artist. In removing what he considered to be a temporary primer coating th...
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| Materialtyp: | Book section |
| Språk: | English |
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Archetype
2014
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