‘And I know damned-well what he wanted!’: deliberate alteration and interpretations of intent in several late sculptures by David Smith
Some years after the death of David Smith (1906–1965), Clement Greenberg, then executor of his estate, made a decision to have the white painted surface stripped from five sculptures and present them as authentic works by the artist. In removing what he considered to be a temporary primer coating th...
Main Author: | Mulholland, R |
---|---|
Other Authors: | Gordon, R |
Format: | Book section |
Language: | English |
Published: |
Archetype
2014
|
Similar Items
-
Art for the Apocalypse: Sculpture by Frink in Losey’s The Damned
by: Susan Felleman
Published: (2014-07-01) -
Technique and process in the papers of David Smith
by: Mulholland, R
Published: (2008) -
Multiplying the associations: David Smith and modern paints
by: Mulholland, R
Published: (2011) -
David Sheinin, Consent of the Damned. Ordinary Argentinians in the Dirty War
by: Sebastián Carassai
Published: (2014-06-01) -
The damned /
by: Gatward, David, 1973-
Published: (2011)