Musical spectra, l'espace sensible, and contemporary opera
<p>Something extraordinary occurs in the third scene of Pygmalion, Jean-Philippe Rameau’s acte de ballet of 1748. The title character, a sculptor, is creating a marble statue of a woman. She is so beautiful that he falls in love with his own creation. The intervention of L’Amour, the goddess...
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| Format: | Journal article |
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Cambridge University Press
2018
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