Satire and embodiment: allegorical romance on stage and page in mid-eighteenth-century Britain
Theatrical presentation of character relies on embodiment and mimesis where the novel constructs plausible character through the diegetic presentation of consciousness and action. This article argues that, with the introduction of stage censorship in the 1730s, allegorical prose romance mediates the...
| Main Author: | |
|---|---|
| Format: | Journal article |
| Published: |
McMaster University
2015
|