The resonance of the romantic horn call in the reception of Brahms's Trio, Op. 40
The high level of canonicity enjoyed by Brahms’s chamber music since the final decades of the nineteenth century easily obscures the roles different performance settings, media, and listening practices have played in shaping how individual works are heard and interpreted. In the case of the Trio for...
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| Materialtyp: | Journal article |
| Språk: | English |
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University of California Press
2023
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