Foregrounding the background in Italian Renaissance painting of the fifteenth and early sixteenth centuries
<p>The current dissertation seeks to provide a novel approach to Italian Renaissance painting by focusing on the pictorial background behind and around the figure. Considering the problem of the ground or background (referred to in Renaissance sources as the ‘campo’) raises some new questions...
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Tác giả khác: | |
Định dạng: | Luận văn |
Ngôn ngữ: | English |
Được phát hành: |
2023
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Những chủ đề: |