Theatrical marginalia: Pierre Baillot and the prototype of the modern performer
In Western art music, the idea of the professional performer as a versatile interpreter of someone else’s music consolidated around the turn of the nineteenth century. The institutionalisation of instrumental training in dedicated schools (such as the Paris Conservatoire, established in 1795) favour...
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| Format: | Journal article |
| Language: | English |
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Oxford University Press
2020
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