Fantasies of authenticity, anxieties of culture: global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990
<p>My thesis is dedicated to the study of popular, commercial cinema as a force within the discourse of national and personal identity in the rapidly changing mega-economies of India and China, and their diasporas, since the watershed year of 1990. Its purpose is to reveal the unique pattern o...
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| Format: | Thesis |
| Language: | English |
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2016
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