A witness to pain: Samuel Beckett and post-war Francophone drama
<p>This thesis examines how Beckett stages physical pain in his early theatre plays, arguing that <em>Eleutheria</em> (1947, pub. 1995), <em>En attendant Godot/Waiting for Godot</em> (1952/1954), <em>Fin de partie/Endgame</em> (1957), <em>Happy Days/Oh...
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| Format: | Thesis |
| Language: | English |
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2019
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