Epic poetry of the Trecento : Dante's Comedy, Boccaccio's Teseida, and Petrarch's Africa
<p>This thesis locates Dante's <em>Divine Comedy</em> (1307-1318), Boccaccio's <em>Teseida</em> (c.1340-1), and Petrarch's <em>Africa</em> (c. 1338-9) within a developing tradition of epic poetry. The works are usually treated separately, and...
المؤلف الرئيسي: | Galligan, F |
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التنسيق: | أطروحة |
منشور في: |
2004
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مواد مشابهة
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Icons and idols in Dante and Petrarch
حسب: Rushworth, J
منشور في: (2016) -
Imagining and Reimagining Gender: Boccaccio’s Teseida delle nozze d’Emilia and Its Renaissance Visual Legacy
حسب: Margaret Franklin
منشور في: (2016-01-01) -
Discourses of mourning in Dante, Petrarch, and Proust
حسب: Rushworth, JF
منشور في: (2013) -
Petrarch’s “Original” of the <i>Fragmenta</i> 1362-1558: from Boccaccio to Rovillio’s third printing
حسب: H. Wayne Storey
منشور في: (2011-01-01) -
Boccaccio Angioino. Materiali per la storia culturale di Napoli nel Trecento
حسب: Anna Sconza
منشور في: (2014-02-01)