Ibsen on the London stage: Independent theatre as transnational space
This article considers the British reception of Ibsen around the turn of the century, replacing modernism’s strongly teleological sense of its own temporality with a more spatially inflected account of artistic production that draws on tropes such as ‘the Republic of Letters’, ‘Weltliteratur’ or rec...
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| Format: | Journal article |
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Oxford University Press
2017
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