Resisting middlebrow mediation: Beethoven’s “Grosse Fuge” in interwar Britain
This chapter traces the British reception of Beethoven’s “Grosse Fuge” op. 133 through the interwar period, considering the role recordings and live performances by the Léner and Kolisch Quartets, among others, had on interpretations of the piece. The transformation in attitude toward Beethoven’s “p...
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Book section |
| Language: | English |
| Published: |
Oxford University Press
2022
|