Disegno a stampa, disegno a mano and the development of the independent landscape drawing in Renaissance Venice
In studies of Venetian art of the late fifteenth and early sixteenth centuries primacy is generally given to paintings, because of the radical experimentation of artists such as Giorgione and Titian with the oil painting technique and with new subject matter, including taking the nature of painting...
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Michael Imhof Verlag
2018
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