Writing and publishing music theory in early seventeenth-century Italy: Adriano Banchieri and his contemporaries
<p>Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can defi...
المؤلف الرئيسي: | Ballantyne, AL |
---|---|
مؤلفون آخرون: | Rees, O |
التنسيق: | أطروحة |
اللغة: | English |
منشور في: |
2014
|
الموضوعات: |
مواد مشابهة
-
Harpsichord and lute music in seventeenth-century France
حسب: Ledbetter, D, وآخرون
منشور في: (1985) -
Adventures of Portuguese 'ancient music' in Oxford, London and Paris: Duarte Lobo's 'Liber missarum' and musical antiquarianism, 1650-1850
حسب: Rees, O
منشور في: (2005) -
To repeat (or not to repeat)? Dance cues in Restoration English opera
حسب: Burden, M
منشور في: (2007) -
Contrafacta. Modes of music re-textualization in the late sixteenth and seventeenth century, eds. Marina Toffetti, Gabriele Taschetti, Kraków 2020
حسب: Nicolò Ferrari
منشور في: (2021-04-01) -
Sacred polychoral music in Rome, 1575-1621
حسب: O'Regan, T, وآخرون
منشور في: (1988)