Scenes of misrecognition (Koltès, Duras)
What is it about confession scenes that makes them such a productive heuristic device in late twentieth-century French theater, given that so often playwrights only tease us with the prospect of confession’s truth-telling potential, all the better to quash it? Whether these disclosures are extracted...
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| Format: | Journal article |
| Language: | English |
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Duke University Press
2024
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