From photography to film and back again: Helmar Lerski’s dramaturgy of the human face
Like few other Weimar photographers, Helmar Lerski (1871-1956) embodies the intertwined paths of photography and film in the period. In the course of his career, he moved smoothly and almost effortlessly between the two media; his work is the result of a genuine cross-fertilization between photograp...
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University of Wisconsin Press
2017
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