Digital vocal editing, plug-ins and the fetishism of voice and technology in 21st-century Western commercial popular music production
<p>This thesis describes and interrogates the increasingly significant role of vocal editing in the production of Western commercial popular music in the 21st-century, drawing on two years of multi-sited ethnographic research with ‘producer-songwriters’ working in this genre in the UK. In it,...
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| Format: | Thesis |
| Language: | English |
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2022
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