Toward a spatial understanding of openness: Richard Sennett’s “five open forms” and/in music
This article offers a new strategy for cognizing musical indeterminacy based on Richard Sennett’s “five open forms for the city,” an intrinsically spatial way of thinking about what is “open” and how it is open. Sennett’s five forms (“synchronicity,” “punctuatedness,” “porosity,” “incompleteness,” a...
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| Format: | Journal article |
| Language: | English |
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Massachusetts Institute of Technology Press
2024
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