'see ourselves as others see us': a phenomenological study of James Joyce's Ulysses and early cinema
<p>This thesis examines James Joyce’s <em>Ulysses</em> (1922) and early cinema (c. 1895-1920) through Merleau-Pontian phenomenology. Instead of arguing for lines of direct influence between specific films and particular parts of <em>Ulysses</em>, I show that Joyce’s tex...
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Format: | Thesis |
Language: | English |
Published: |
2012
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