'see ourselves as others see us': a phenomenological study of James Joyce's Ulysses and early cinema

<p>This thesis examines James Joyce’s <em>Ulysses</em> (1922) and early cinema (c. 1895-1920) through Merleau-Pontian phenomenology. Instead of arguing for lines of direct influence between specific films and particular parts of <em>Ulysses</em>, I show that Joyce’s tex...

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Bibliographic Details
Main Authors: Hanaway-Oakley, C, Cleo Hanaway-Oakley
Other Authors: Johnson, J
Format: Thesis
Language:English
Published: 2012
Subjects: