The black woman’s mask: fanon, capécia, condé
This article examines both the persistence and the deconstruction of authenticity in francophone modernist and postmodernist representations of black women. The discussion takes as a starting point Fanon’s reading of Mayotte Capécia’s Je suis martiniquaise in Peau noire, masques blancs, and notes hi...
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| Format: | Journal article |
| Language: | English |
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Taylor and Francis
2022
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