Parody lost and regained
<p>This thesis argues the case for the parodic voice in a range of works by Richard Strauss. In doing so, it challenges the long-held view of Strauss as a composer whose music has little to offer beyond superficial grandeur and shallow sentimentality; music which may be impressive in some res...
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| Médium: | Diplomová práce |
| Jazyk: | English |
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2004
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