Between nationalism, transnationalism, and cosmopolitanism in Daniel Deronda’s Klesmer
The composer Julius Klesmer in George Eliot’s Daniel Deronda, ‘a felicitous mix of the German, the Sclave, and the Semite’, and a self-confessed ‘Wandering Jew’, embraces a mode of transnational living and working that challenges the English narrowness of Gwendolen Harleth at the same time as it com...
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| Format: | Journal article |
| Language: | English |
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Southampton Centre for Nineteenth-Century Research
2022
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