X—two shoes and a fountain: ecstasis, mimesis and engrossment in Heidegger’s The Origin of the Work of Art
In this essay, I argue for three interpretative claims about the philosophical strategies and examples employed in the first of Heidegger’s three lectures on ‘The Origin of the Work of Art’. I argue that his initial response to a Van Gogh painting is intended to dramatize a confusion rather than to...
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| フォーマット: | Journal article |
| 言語: | English |
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Oxford University Press
2019
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