The mimetic basis of pure music in Machaut's Refrain Songs: Part 2, musical abstraction
The dualistic relationship of words and music in Machaut’s refrain songs (proposed in Part 1 of this article) enables abstraction of the music from the poetic model that inspired it. This situation is at its most extreme in certain rondeaux, representatives of a genre for which a special function in...
المؤلف الرئيسي: | Maw, D |
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التنسيق: | Journal article |
اللغة: | English |
منشور في: |
Cambridge University Press
2020
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مواد مشابهة
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The mimetic basis of pure music in Machaut's refrain songs: part 1, musical mimesis
حسب: Maw, D
منشور في: (2020) -
Music and verbal meaning: Machaut's polytextual songs
حسب: Leach, E
منشور في: (2010) -
Post-Première revision: Guillaume de Machaut and written music in the late Middle Ages
حسب: Maw, D
منشور في: (2022) -
The polyphonies of function: Guillaume de Machaut and the performance of text and music
حسب: Smilansky, U
منشور في: (2021) -
Meter and Word Setting: Revising Machaut's Monophonic Virelais
حسب: David Maw
منشور في: (2002-09-01)