Totengedenken und Wohltat. Ignaz Lachners Prolog zur Vorstellung zu Gunsten der Hinterbliebenen des weiland Kapellmeisters Albert Lortzing
Musical performances in the 19th century were often framed within a social and memorial context, which sits uneasy with notions of absolute music. Nonetheless, it remains beyond doubt that a significant share of public concerts and operatic performances served exactly such purposes. Orchestras and o...
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Olms
2014
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